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19th Century English Follower Of Giovanni Antonio Canal Called

Lot Art 19th century english follower of Giovanni antonio can
Lot Art 19th century english follower of Giovanni antonio can

Lot Art 19th Century English Follower Of Giovanni Antonio Can Giovanni antonio canal (18 october 1697 – 19 april 1768), [1] commonly known as canaletto (italian: [kanaˈletto] [2]), was an italian painter from the republic of venice, considered an important member of the 18th century venetian school. painter of cityscapes or vedute, of venice, rome, and london, he also painted imaginary views (referred. Canaletto. giovanni antonio canal, known as canaletto, was born in venice, the son of a theatrical scene painter. he was very influential, famed for his precisely depicted and evocative views of the city (vedute). canaletto's early pictures for local patrons are his most accomplished: these carefully designed, individual, and atmospheric.

english follower Of antonio canal called Canaletto 19th centu
english follower Of antonio canal called Canaletto 19th centu

English Follower Of Antonio Canal Called Canaletto 19th Centu Canaletto (born oct. 18, 1697, venice—died april 20, 1768, venice) was an italian topographical painter whose masterful expression of atmosphere in his detailed views (vedute) of venice and london and of english country homes influenced succeeding generations of landscape artists. canaletto was born into a noble family whose coat of arms he. Venice. giovanni antonio canal, called canaletto, was born in venice and was the son of bernardo canal, a scene painter and stage designer. from around 1725 he was mainly active as a view painter, influenced perhaps by luca carlevaris. apart from his work in venice, he visited england, where he was based for most of the years 1746 1755. 19th century english follower of giovanni antonio canal, called canaletto. venice, the entrance to the grand canal, looking west. oil on canvas. 76 x 127 cm.; 29⅞ x 50 in. Canaletto: giovanni antonio canal, 1697–1768. oxford, 1962, vol. 1, pp. 90, 110–15, pl. 54; vol. 2, pp. 262–63, 305–6, 612–13, no. 274, states that it is one of a group of twenty one paintings "said to have been bought in venice by the last duke of buckingham and chandos" which descended to sir robert grenville harvey, langley park.

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