Eleanor Antin Judgment Of Paris After Rubens Dark Helen From Eleanor antin uses fictional characters, autobiography, and narrative to invent histories and explore what she calls "the slippery nature of the self." in he. If you would like to reproduce an image of a work of art in moma’s collection, or an image of a moma publication or archival material (including installation views, checklists, and press releases), please contact art resource (publication in north america) or scala archives (publication in all other geographic locations).
Eleanor Antin Art21 Sets: roger sherman. scenic artist: mary lucas. hair and make up: paul best. piano: bob wiley. the archivist attempts to put together the "lost years" of eleanor antinova, the once celebrated black ballerina of diaghlev's ballet russe, when she returned to her native america to eke out a meager living in vaudeville and early movies. her career. She has had one woman exhibitions at the museum of modern art, the whitney museum, the wadsworth atheneum, the la jolla museum (now the san diego museum of contemporary art), the long beach museum, etc., as well as a major 30 year retrospective at the los angeles county museum of art, which traveled to several venues in the u.k. and included a. Working since the early 1960s, eleanor antin has created a body of work that explores history, contemporary culture, and identity from a feminist perspective. before devoting herself to the visual arts, antin was a poet and an actress. drawing on this background, she has integrated language, character, costume, and voice into the mediums of. Elements of art (135) food (38) hope (3) human body (50) identity (259) imagination (31) immigration & migration (21) individuality (20) inspiration (275) interpretation (67) language (23) learning (21) learning to look (201) materials and process (651) memory (37) morality (11) nationalism (5) nature and the environment (120) objects (280.
Eleanor Antin Show At The Ica Explores Identity The Boston Globe Working since the early 1960s, eleanor antin has created a body of work that explores history, contemporary culture, and identity from a feminist perspective. before devoting herself to the visual arts, antin was a poet and an actress. drawing on this background, she has integrated language, character, costume, and voice into the mediums of. Elements of art (135) food (38) hope (3) human body (50) identity (259) imagination (31) immigration & migration (21) individuality (20) inspiration (275) interpretation (67) language (23) learning (21) learning to look (201) materials and process (651) memory (37) morality (11) nationalism (5) nature and the environment (120) objects (280. Eleanor antin was born in 1935 in the bronx, new york, to polish immigrant parents. her mother was an actress in yiddish theater, and her father worked in the garment industry; both were active in leftist politics. antin was educated in new york at the art and music high school, city college, and the new school for social research. From the 70s until the 90s antin embodied multiple alter egos in a project that she called "selves" that implemented through several art forms. this project encompassed four videos: the king (1972), the ballerina and the bum (1974), the adventures of a nurse (1976), and from the archives of modern art (1987). [15].
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