Frick perspectives:northern lightsemma capron, associate curator of renaissance painting, the national gallery, londondelivered at the frick collection on fe. September 26, 2018emma capron, 2016–18 anne l. poulet curatorial fellow, the frick collectionin the 1440s, jan vos, the prior of the charterhouse of bruges,.
In the sixth episode of “frick five,” xavier f. salomon, deputy director and peter jay sharp chief curator, interviews emma capron, associate curator of rena. Interview with emma capron, anne l. poulet curatorial fellow at the frick collection & curator of the exhibition "the charterhouse of bruges".emma capron dis. In the sixth episode of “frick five,” xavier f. salomon, deputy director and peter jay sharp chief curator, interviews emma capron, associate curator of renaissance painting at the national gallery, london, and a former anne l. poulet curatorial fellow at the frick. emma answers our five questions, expressing her wish to be “deep frozen. Emma capron, 2016–18 anne l. poulet curatorial fellow, the frick collection in the 1440s, jan vos, the prior of the charterhouse of bruges, commissioned two panel paintings from jan van eyck and petrus christus. now considered masterpieces of early netherlandish painting, these works are reunited at the frick collection for only the second.
In the sixth episode of “frick five,” xavier f. salomon, deputy director and peter jay sharp chief curator, interviews emma capron, associate curator of renaissance painting at the national gallery, london, and a former anne l. poulet curatorial fellow at the frick. emma answers our five questions, expressing her wish to be “deep frozen. Emma capron, 2016–18 anne l. poulet curatorial fellow, the frick collection in the 1440s, jan vos, the prior of the charterhouse of bruges, commissioned two panel paintings from jan van eyck and petrus christus. now considered masterpieces of early netherlandish painting, these works are reunited at the frick collection for only the second. Frick perspectives:lessons from the dutch “golden age" adam eaker, associate curator, european paintings, the metropolitan museum of artdelivered at the fric. Although the frick is not usually associated with the art of the northern renaissance, it holds a small but outstanding group of early netherlandish and french paintings from the fourteenth, fifteenth, and sixteenth centuries—one of the best in america. this lecture explores the making, meaning, and collecting of these exquisite works.
Frick perspectives:lessons from the dutch “golden age" adam eaker, associate curator, european paintings, the metropolitan museum of artdelivered at the fric. Although the frick is not usually associated with the art of the northern renaissance, it holds a small but outstanding group of early netherlandish and french paintings from the fourteenth, fifteenth, and sixteenth centuries—one of the best in america. this lecture explores the making, meaning, and collecting of these exquisite works.
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