Imaginary Landscape No 1 John Cage Youtube March 24, 1939 seattle. published. edition peters. movements. 1. scoring. four performers. imaginary landscape no. 1 is a composition for records of constant and variable frequency, large chinese cymbal and string piano by american composer john cage and the first in the series of imaginary landscapes. it was composed in 1939. Video created with sonic visualizer, openshot and vokoscreen on an opensuse 13.2 linux system. for two variable speed turntables, frequency recordings, muted.
Cage John Imaginary Landscape No 1 John cage – imaginary landscape no. 1 (1939)ensemble musikfabrikmelvyn poorebenjamin koblerdirk rothbrustsara cubarsijanet sinica, video editingjan böyng, ed. Provided to by the orchard enterprisesimaginary landscape no. 1 (1939) · maelström percussion ensemble · jan williams · john cagejohn cage: imaginary. Imaginary landscape is the title of a series of five pieces by american composer john cage, all of which include instruments or other elements requiring electricity. the series comprises the following works: imaginary landscape no. 1 (1939) for two variable speed turntables, frequency recordings, muted piano, and cymbal. John cage: imaginary landscape no. 1 3. „cage was always interested in the use of electronic means, and in the early 1940s took every opportunity to utilize those available to him (record players, radios, record player pick up arms, measuring devices, etc.) as sources of sound. it was thanks to these endeavours that the imaginary landscapes.
Media Art Net Cage John Imaginary Landscape No 1 Imaginary landscape is the title of a series of five pieces by american composer john cage, all of which include instruments or other elements requiring electricity. the series comprises the following works: imaginary landscape no. 1 (1939) for two variable speed turntables, frequency recordings, muted piano, and cymbal. John cage: imaginary landscape no. 1 3. „cage was always interested in the use of electronic means, and in the early 1940s took every opportunity to utilize those available to him (record players, radios, record player pick up arms, measuring devices, etc.) as sources of sound. it was thanks to these endeavours that the imaginary landscapes. Imaginary landscape no. 1 [1939] (8:45) for two variable speed phono turntables, frequency recordings, muted piano, and cymbal; to be performed as a recording or broadcast; imaginary landscape no. 2 (march no. 1) [1942] (6:35) for percussion quintet; imaginary landscape no. 3 [1942] (3:05) for percussion sextet. Imaginary landscape no. 1, 1939 (4 percussionists with 2 variable speed turntables, frequency recordings, muted piano, cymbal) imaginary landscape no. 4, 1951 (12 radios) imaginary landscape no. 5, 1952 (any 42 recordings, score to be realized as a magnetic tape) williams mix, 1952 (8 1 track tapes, 4 2 track tapes).