john kenneth muir s reflections on Cult movies and Clas
John Kenneth Muir S Reflections On Cult Movies And Clas Who: "john kenneth muir has given researchers of doctor who and cult television perhaps the definitive work on the doctor who phenomenon with his book, a critical history of doctor who on television. the book, currently available as a hardbound edition covers almost every element of doctor who from the program's origin's to fandom, to the show. Occupation. journalist. location. the south, united states. introduction. award winning creator of enter the house between and author of 32 books including horror films faq (2013), horror films of the 1990s (2011), horror films of the 1980s (2007), tv year (2007), the rock and roll film encyclopedia (2007), mercy in her eyes: the films of mira.
john kenneth muir s reflections on Cult movies and Clas
John Kenneth Muir S Reflections On Cult Movies And Clas Cult movie review: the right stuff (1983) “there was a demon that lived in the air. they said whoever challenged him would die. their controls would freeze up, their planes would buffet wildly, and they would disintegrate. the demon lived at mach 1 on the meter, seven hundred and fifty miles an hour, where the air could no longer move out of. >many folks of my generation still vividly recall the first prime time broadcast of the grim tv movie, the day after (1983). that landmark tele film, directed by nicholas meyer, gazed at life in the american heartland immediately following a devastating nuclear exchange. John kenneth muir's retro tv files: john is an avid researcher and chronicler of tv series from the 1960s 1980s, with the seventies being his favorite era. below, he has written a number of retrospectives of popular tv series from the seventies and eighties, often with interview material from the talents involved. home blog biography the. In his landmark book, cult movies, film scholar and critic danny peary does a terrific and thorough job of comparing and contrasting the novel and the film, but long story short: the book de romanticizes the gang members that serve as its protagonists, while the walter hill film of the disco era purposefully mythologizes the warriors and firmly places them in a fantasy styled (if dystopic.