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Kalighat Painting International Indian Folk Art Gallery

Vasudev Taking Krishna kalighat painting 14 X 22 international
Vasudev Taking Krishna kalighat painting 14 X 22 international

Vasudev Taking Krishna Kalighat Painting 14 X 22 International Kalighat painting, kalighat patachitra, or kalighat pat (bengali: কালীঘাট পটচিত্র) is a style of indian paintings which originated in the 19th century. it was first practiced by a group of specialized scroll painters known as the patuas in the vicinity of the kalighat kali temple in kolkata (formerly calcutta ), in. Passing indian folk art to the next generation.

Maa Durga 3 kalighat painting 12 X 22 international indian
Maa Durga 3 kalighat painting 12 X 22 international indian

Maa Durga 3 Kalighat Painting 12 X 22 International Indian Article history. kālīghāṭ painting, short lived style of watercolour painting produced in the 19th century in india by artists in the calcutta marketplace for sale to pilgrims visiting the kālīghāṭ temple. the style is characterized by broad sweeping brush lines, bold colours, and simplification of forms suitable for their mass. The kalighat moment was as brief and transient as the paintings themselves, whose cheaply made, low quality papers and fugitive colors rendered them ephemeral and evanescent. the result was a brilliant and marginalized artistic movement that depicted a fleeting moment in colonial indian history and may have been an important impetus for. The east of india, is still the most coherent place in the coutry when it comes to valuing art and literature. and one among the many cultutral variations that the state of west bengal has (like sculpting in kumhartuli, or the school of arts in shantiniketan and many more), one of them is the pianting style called the kalighat paintings, a 19 th century art. There is no one story of indian folk art. be it the canvas filling geometric shapes of ancient warli art from maharashtra, the dizzying dashes and dots of gond and bhil art from central india, or the playful yet precise paintings of madhubani and kalighat art from the east, each form has its own deep history and vocabulary, despite the many interactions and interconnections.

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