Of Character Installation Art Architecture Rachel Whiteread The artist rachel whiteread creates elegant and poetic sculptures which explore architecture, space, absence and memory. often inspired by the physicality of the human body, her works are poignant for their exploration of intimate domestic spaces and household objects. Gagosian is pleased to present internal objects, an exhibition of new work by rachel whiteread. whiteread employs the formal language of minimalism, taking cues from its emphasis on geometric seriality, yet adds a quietly emotive aspect, maintaining an acute sensitivity to objects’ minor details and subtle markers of use and human irregularity.
Rachel Whiteread Artists Luhring Augustine Rachel whitereadtim marlow. wednesday, january 24, 2024, 7:30pm. sarabande foundation, london. sarabandefoundation.org. rachel whiteread will be in conversation with tim marlow, director of the design museum, london, for the next installment in the series of inspired talks organized by the sarabande foundation. Whiteread responded to both situations with generous acts of formal reconciliation that bridged centuries without suppressing the unresolved conditions that had made her involvement possible. rachel whiteread, monument, 2001, resin and granite. an encounter with one of whiteread’s works in public is comparatively rare. Perhaps in reaction to the enormous implications of such a trace, whiteread’s later work has looked to installing permanent memories of more ephemeral objects – garden sheds (detached i, 2012), boat houses (gran boathouse, gran, norway, 2010) – or installations that themselves will self demolish, as in the collaborative snow show work in lapland with finnish architect juhani pallasmaa in. Rachel whiteread was born in ilford, east london, in 1963. she studied painting in brighton from 1982 to 1985 and sculpture at the slade school of art in london from 1985 to 1987. along with her focus on everyday objects, whiteread’s work has taken a particular look at london and the politics of urbanisation, development, and life in the city.
Rachel Whiteread Untitled One Hundred Spaces 1995 Elephant Perhaps in reaction to the enormous implications of such a trace, whiteread’s later work has looked to installing permanent memories of more ephemeral objects – garden sheds (detached i, 2012), boat houses (gran boathouse, gran, norway, 2010) – or installations that themselves will self demolish, as in the collaborative snow show work in lapland with finnish architect juhani pallasmaa in. Rachel whiteread was born in ilford, east london, in 1963. she studied painting in brighton from 1982 to 1985 and sculpture at the slade school of art in london from 1985 to 1987. along with her focus on everyday objects, whiteread’s work has taken a particular look at london and the politics of urbanisation, development, and life in the city. Installation view of rachel whiteread at the national gallery of art, washington.courtesy national gallery of art, washington. whiteread employs a conventional format – solid objects that sit on a shelf or stand on the floor, and large, singular forms for public projects; common subjects – everyday structures and objects largely for domestic use; traditional technique – all are cast, in. The name “rachel whiteread” may call to mind big art—the monumental statement commissions she is best known for, such as her trafalgar square plinth, holocaust memorial at the judenplatz in vienna, and the hotly debated installation, house (1993), that earned whiteread the prestigious turner prize that year—but she also creates an.
юааrachelюаб юааwhitereadюабтащs 14 000 White Cubes At Tate тау Embankment Installation view of rachel whiteread at the national gallery of art, washington.courtesy national gallery of art, washington. whiteread employs a conventional format – solid objects that sit on a shelf or stand on the floor, and large, singular forms for public projects; common subjects – everyday structures and objects largely for domestic use; traditional technique – all are cast, in. The name “rachel whiteread” may call to mind big art—the monumental statement commissions she is best known for, such as her trafalgar square plinth, holocaust memorial at the judenplatz in vienna, and the hotly debated installation, house (1993), that earned whiteread the prestigious turner prize that year—but she also creates an.
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