Painting My World How To Have Fun Painting From Reference Photos To put it plainly, a field guide is not produced so that artists can make derivatives from the photos. however, there are books and websites available that are filled with an artist's reference photos. these types of publications are produced with the intention that artists use them to paint from. they will state this very clearly. If you have been wondering whether you should paint from imagination, real life or a reference photo, the answer is yes, yes and yes. there isn’t a right or a wrong way. imagination, real life and reference photos all have their own merits and drawbacks as painting inspiration. let’s dive in to each in turn.
Artstation Painting From Reference 9 tips for creating great paintings from photos. use multiple reference shots. take many photos of your subject from different angles and varying distances, and point your focus to areas with different lighting. when taking photos, take the time to sketch your subject and take notes of colors, value, and temperature. 7. take a lot of photos and keep them organized. once you start doing your own photo shoots it's in your best interest to keep your reference photo library organized. even if you don't end up using the photos in the next few months, you could create art or studies with them in the future. Oil painter alyssa monks shares seven great ways to overcome the problems caused by using a photographic reference. painting from a photographic reference comes with a unique set of pitfalls. thankfully alyssa monks is on hand to show how you can move beyond your reference photos to create more engaging and painterly artworks. 1. soften the edges. Tips to produce art reference photos quickly and easily. 2. producing. there are a few key things that you have to keep in mind when producing photos that you are intending to use as references when drawing or painting. there is nothing worse than thinking you have a great photo just to find out that it's not going to work when opening the file.