Rachel Whiteread Pinault Collection Through her unique moulding practice, rachel whiteread gives substance to the void. chairs, baths, mattresses, shelves, stairs and even houses are revealed in negative, giving rise to contemplative and poetic objects. these "inverted" moulds in resin, plaster, rubber or concrete invite the viewer to bypass voids made full. Referring in particular to bruce nauman's a cast of the space under my chair (1965), this treatment of objects is a poetic archaeology of everyday life. a striking example of whiteread's art, untitled (one hundred spaces) was shown for the first time by the pinault collection during the 2009 "mapping the studio" exhibition at the palazzo grassi.
Rachel Whiteread Tate Britain Artsy Dame rachel whiteread dbe (born 20 april 1963) is an english artist who primarily produces sculptures, which typically take the form of casts. she was the first woman to win the annual turner prize in 1993. [1] whiteread was one of the young british artists who exhibited at the royal academy 's sensation exhibition in 1997. On a retrospective of the sculptor’s career at tate britain, london. rachel whiteread, untitled (100 spaces), 1995, resin, pinault collection. photo: tate britain. 1. the first woman to win the turner prize in 1993, rachel whiteread’s work explores the overlooked and unexamined, breathing life into neglected space whilst underlining absence. glass visits a survey spanning three decades of whiteread’s practice at tate britain. untitled (one hundred spaces), 1995, resin, dimensions variable. One of britain’s leading contemporary artists, whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. her evocative sculptures range from the intimate to the monumental. born in london in 1963, whiteread was the first woman to win the turner prize in 1993.
Rachel Whiteread Untitled One Hundred Spaces 1995 Rг Sine 1. the first woman to win the turner prize in 1993, rachel whiteread’s work explores the overlooked and unexamined, breathing life into neglected space whilst underlining absence. glass visits a survey spanning three decades of whiteread’s practice at tate britain. untitled (one hundred spaces), 1995, resin, dimensions variable. One of britain’s leading contemporary artists, whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. her evocative sculptures range from the intimate to the monumental. born in london in 1963, whiteread was the first woman to win the turner prize in 1993. On the way out the visit continues with the selection, undertaken by whiteread herself, from the tate’s collection of artworks by lynda benglis, anthony caro, richard dadd, richard deacon, michael dean, barry flanagan, barbara hepworth, sarah lucas, robert morris, and rebecca warren. Untitled is a sculpture by the italian artist. its surprising presence in an exhibition is a real eye catcher. crouching before the viewer, it delivers a scathing critique of the idea of the art work as a trophy. it also has a more existential nature: the helplessness of the horse's position and impossibility of escape can be a reflection of.
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