Cutting A Stylish Figure Calculating Yardage For A Sacque Gown Robe г The back of the dress featured the same floor length pleats as the sack gown and the related robe à l’anglaise. the outerskirt of the robe à la française was made of a fabric, often satin, that matched the bodice and was left open at the front to reveal a ruffled petticoat. the petticoat, like the stomacher, held many decorations: tiers of. 2. draping & fitting the gown now that a fitted bodice lining was in place, the draping of the gown itself could be done, based on the measurements and calculations described earlier, using the full fabric width. the genius of having a perfectly fitted bodice lining is that gown can be built over it with complete confidence that the gown will fit.
Drama Galore On Tumblr The gown that is most associated with the eighteenth century rococo style, or a decorative style of architecture, fashion, and interior design that featured purely ornamental designs and ornament with intricate floral patterns, popular between 1715 and 1775, is the robe à la française. The gown that is most associated with the eighteenth century rococo style, or a decorative style of architecture, fashion, and interior design that featured purely ornamental designs and ornament with intricate floral patterns, popular between 1715 and 1775, is the robe à la fran ç aise. made of rich fabrics and loaded with frilly decoration. The robe à la française was derived from the loose negligee sacque dress of the earlier part of the century, which was pleated from the shoulders at the front at the back. the silhouette, composed of a funnel shaped bust feeding into wide rectangular skirts, was inspired by spanish designs of the previous century and allowed for expansive. One of the shining gems from the historic textiles collection is a robe à la française gown, c. 1753, that was worn by eliza lucas pinckney (1722 1793). the robe à la française, or “dress in the french style” is characterized by full box pleats hanging from the shoulders, three quarter sleeves with full layered cuffs, a narrow, conical.
Sack Saque Robe г La Franг Aise вђ Works вђ The Colonial Williamsburg The robe à la française was derived from the loose negligee sacque dress of the earlier part of the century, which was pleated from the shoulders at the front at the back. the silhouette, composed of a funnel shaped bust feeding into wide rectangular skirts, was inspired by spanish designs of the previous century and allowed for expansive. One of the shining gems from the historic textiles collection is a robe à la française gown, c. 1753, that was worn by eliza lucas pinckney (1722 1793). the robe à la française, or “dress in the french style” is characterized by full box pleats hanging from the shoulders, three quarter sleeves with full layered cuffs, a narrow, conical. Often to be seen in the works of the great painter antoine watteau, the 'robe à la française' was the hallmark of the elegant woman during the reign of louis xv. its outstanding characteristic was its back, whose box pleats fell loose to the floor, with a slight train. it was worn over a petticoat most often made of the same material. the close fitting bodice was closed by compères, pieces. That gown, a blue silk damask sacque, dated as ca.1742 52, is described as having its skirts fully lined in dull red cotton, with thin blue silk stitched over it along the edges. (i actually suspect the gown is somewhat later than the 1742 52 date, as the style seems more typical of ca. 1760 70.
That Dress Looks Familiar Silk Taffeta Robe г La Franг Aise C 1760 Often to be seen in the works of the great painter antoine watteau, the 'robe à la française' was the hallmark of the elegant woman during the reign of louis xv. its outstanding characteristic was its back, whose box pleats fell loose to the floor, with a slight train. it was worn over a petticoat most often made of the same material. the close fitting bodice was closed by compères, pieces. That gown, a blue silk damask sacque, dated as ca.1742 52, is described as having its skirts fully lined in dull red cotton, with thin blue silk stitched over it along the edges. (i actually suspect the gown is somewhat later than the 1742 52 date, as the style seems more typical of ca. 1760 70.