![robe г la Franг Aise Date 1770вђ 75 Culture french Medium silk Bast robe г la Franг Aise Date 1770вђ 75 Culture french Medium silk Bast](https://i.pinimg.com/originals/f5/39/9b/f5399bf87926478fad137a574d0b0f9d.jpg)
Robe г La Franг Aise Date 1770вђ 75 Culture French Medium Silk Bast Overview. title: robe à la française. date: 1770–75. culture: french. medium: silk, bast fiber. credit line: brooklyn museum costume collection at the metropolitan museum of art, gift of the brooklyn museum, 2009; gift of orme and r. thornton wilson in memory of caroline schermerhorn astor wilson, 1949. accession number: 2009.300.690a, b. Fig. 3 designer unknown (french). robe à la française, 1760–70. silk, cotton. new york: metropolitan museum of art, 2009.300.903a, b. brooklyn museum costume collection at the metropolitan museum of art, gift of the brooklyn museum, 2009; h. randolph lever fund, 1966. source: metropolitan museum of art.
![robe a La francaise 1775 1780 french made of Silk In robe a La francaise 1775 1780 french made of Silk In](https://i.pinimg.com/originals/79/d5/00/79d50050ad0331ffbb7966c278deda97.png)
Robe A La Francaise 1775 1780 French Made Of Silk In Robe à la française. the robe à la française, with open robe and petticoat, was the quintessential dress of the eighteenth century. characteristic of 1770s costume are the piece's low neckline, fitted bodice, narrow sleeves with double layered cuffs, as well as the sack back and fullness at the hips supported by panniers. The sack back gown or robe à la française was a women's fashion of 18th century europe. [1] at the beginning of the century, the sack back gown was a very informal style of dress. at its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. by the 1770s the sack back gown was second only to court. Dating back to the end of the eighteenth century, this dress "à la française" was made of brocaded silk with stripes and bouquets. robe by anonyme musée du vieux nîmes. although it originated from china, the silk produced in the cévennes from the thirteenth century on was used to create textiles in nîmes. this dress consists of a skirt. Green silk chenille appliqués. often to be seen in the works of the great painter antoine watteau, the 'robe à la française' was the hallmark of the elegant woman during the reign of louis xv. its outstanding characteristic was its back, whose box pleats fell loose to the floor, with a slight train. it was worn over a petticoat most often.
![Dress robe г la Franг Aise 1775 Fabric 1760s Francematerial Ivory Dress robe г la Franг Aise 1775 Fabric 1760s Francematerial Ivory](https://i.pinimg.com/originals/14/07/b9/1407b91a504b6710bf92e71c78a59df9.jpg)
Dress Robe г La Franг Aise 1775 Fabric 1760s Francematerial Ivory Dating back to the end of the eighteenth century, this dress "à la française" was made of brocaded silk with stripes and bouquets. robe by anonyme musée du vieux nîmes. although it originated from china, the silk produced in the cévennes from the thirteenth century on was used to create textiles in nîmes. this dress consists of a skirt. Green silk chenille appliqués. often to be seen in the works of the great painter antoine watteau, the 'robe à la française' was the hallmark of the elegant woman during the reign of louis xv. its outstanding characteristic was its back, whose box pleats fell loose to the floor, with a slight train. it was worn over a petticoat most often. The gown that is most associated with the eighteenth century rococo style, or a decorative style of architecture, fashion, and interior design that featured purely ornamental designs and ornament with intricate floral patterns, popular between 1715 and 1775, is the robe à la fran ç aise. made of rich fabrics and loaded with frilly decoration. A fashionable robe à la française might be made from yards of expensive silk brocade draped over wide hoops, trimmed with handmade lace, and elaborately accessorized. often dismissed as wasteful, aristocratic luxury supported a host of artisans. according to the great french writer montesquieu (1748), there was "an absolute necessity for luxury.