Make sure you always look at the subject from the same point of view. keep your head in a position where it can see the subject and the drawing straight on, without much movement. keep the drawing at roughly an arms length. it’s easier to draw from the elbow and shoulder that way and to see mistakes. Get an anatomy book (figure drawing for all it's worth by andrew loomis is a classic, it's available for free too) and study the skeleton first learn how the bones look from front, rear, side and 3 4 (and draw them) skull included. you do not have to be too precise, you want to capture the overall form of the skeleton and not the intricate.
The aim is to capture the essential information of the figure and, of course, to draw as many poses as possible. this exercise will also help you to increase your confidence when drawing. don’t be afraid to draw the first line, and even if you make a mistake, avoid erasing the lines. try to focus and draw clean, clear lines. Research: read about body parts, bones, muscles, functions, etc. from an artist’s point of view is fine, you do not need to become a doctor! we are interested in the parts of anatomy which affect the shapes and movements of the body. draw, draw, draw! practice drawing the whole figure and conduct detailed studies of some tough parts. This technique creates a sense of depth and makes your posed figures look three dimensional. 3. get a grip on human anatomy. now that you've got a handle on foreshortening, it's time to delve into the nitty gritty of human anatomy. knowing your way around the human body is a game changer when drawing posed figures. Understanding the major muscle groups in the arm is crucial for creating a realistic arm drawing reference. the biceps and triceps are located in the upper arm, while the forearm contains several smaller muscles. the biceps are responsible for flexing the arm at the elbow, and they're more prominent on the front side of the upper arm.
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