Get the pentatonic scales and blues scales pdf here 👉 pianofs downloadsincludes glossary of these scales in every key & theory recap (all. The major pentatonic scale is based on the 7 note major scale, but excludes the 4th & 7th intervals. those two intervals create tension in the scale, also form a dissonant tritone interval when played together. the character of the major pentatonic scale is that every interval sounds pleasant and consonant. so, it’s important to avoid the.
Within a blues or blues rock context, you can also solo using the minor pentatonic scale over a major chord progression. from a theoretical point of view, this doesn’t make sense. this is because the minor third that you find in the minor pentatonic scale clashes with the major third that you find in the chords in a major progression. Let’s keep going. next, we need to map the c and d minor pentatonic scales. map the scale for c7 and d7. the formula for the minor pentatonic scale doesn’t change. we just need to apply the formula to the other chords to get the notes of that minor pentatonic scale. notes of the c minor pentatonic scale: c eb f g bb. The minor pentatonic scale is built using the formula: 1 b3 4 5 b7. you can see that the minor pentatonic scale uses the intervals: root, minor third, perfect fourth, perfect fifth, and minor seventh. the minor third and minor seventh intervals are what makes this scale a minor scale. Before combining them, i remember first learning to solo over the standard 1 4 5 blues progression, and my teacher at the time gave me a quick trick for alternating between the minor and major pentatonic solos: use the minor pentatonic for the sections on the “1” and the major pentatonic for the sections on the “4," and alternate back in forth in this manner in the way that sounded best.
The minor pentatonic scale is built using the formula: 1 b3 4 5 b7. you can see that the minor pentatonic scale uses the intervals: root, minor third, perfect fourth, perfect fifth, and minor seventh. the minor third and minor seventh intervals are what makes this scale a minor scale. Before combining them, i remember first learning to solo over the standard 1 4 5 blues progression, and my teacher at the time gave me a quick trick for alternating between the minor and major pentatonic solos: use the minor pentatonic for the sections on the “1” and the major pentatonic for the sections on the “4," and alternate back in forth in this manner in the way that sounded best. The pentatonic scales are the main blues guitar scales used for blues leads. this simple scale is easy to learn but hard to play well. the blues is not in the notes… it’s in the feeling in which those notes are played. but still, learning to play the pentatonic scales on guitar is the starting point for developing your blues improvisational. This diagram shows how the major and minor blues scales overlap on the fretboard in the key of a. it shows shape 1 of the minor blues scale, and shape 2 of the major blues scale. the notes in white are those that appear in both scales. the notes in dark blue are those which appear in just the minor blues scale.
The pentatonic scales are the main blues guitar scales used for blues leads. this simple scale is easy to learn but hard to play well. the blues is not in the notes… it’s in the feeling in which those notes are played. but still, learning to play the pentatonic scales on guitar is the starting point for developing your blues improvisational. This diagram shows how the major and minor blues scales overlap on the fretboard in the key of a. it shows shape 1 of the minor blues scale, and shape 2 of the major blues scale. the notes in white are those that appear in both scales. the notes in dark blue are those which appear in just the minor blues scale.
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